Spring

I used to have a big, deep pond in the back garden.  It was there when we bought the house, and over the years it evolved – fountains and waterfalls were added, various aquatic plants were introduced, the fish (which had come with the deeds to the house, it seemed) bred and multiplied and died and got taken by passing herons.  Blanket weed grew, was raked out, thrown into the compost.  It was an ecosystem of sorts, I suppose, but not a properly sustainable one.  Ecosystems, especially micro- ones, don’t thrive on neglect.

One day, about ten years ago, I looked at the nasty green swamp and said: “Let’s fill it in.”  Viv agreed, but was compassionately concerned for the fish.  As luck would have it, providence was on our side – a friend had just moved into a new home which had a pond, and was keen to stock it with goldfish.  And so it came to pass.  Our fish got fished out, well most of them, and somehow found their way to Caro’s pond, where they thrived.  (Until recently, when she decided to fill hers in; but that’s another story.)

At the time, I remember feeling some concern for the frogs.  Some years earlier, we’d been sitting out late on a warm humid evening enjoying the tail end of a bottle or two, when suddenly about twenty-five frogs leapt out of the pond and scuttled off into the undergrowth.  Half a minute later lightning flashed, thunder clapped, and a deluge descended.  “Those frogs know something,” I thought (and said, to anyone who’d listen, for months afterwards).

So when the Great Pond Fill-in started, I worried a bit about how they’d fare without their swamp.  Viv reassured me: “They’ve been around longer than us.  They’ll survive.”

 

This evening, about an hour ago, I wandered out into the garden for a ciggie, and heard an unmistakeable sound from the undergrowth.   I came in, started to write this, went out again just now (I wanted to be sure), and heard it again. 

Hope spring’s eternal.  

One thing ...

There's a website here wherein you can post photos and descriptions of the objects you would save if your house suddenly started burning down.  Most people assemble a whole lot of stuff and arrange it artistically for the photo-op, but if I did that I would pretty certainly be incinerated by the time I had rummaged through the wardrobes, cupboards, drawers, attics for the many items I might wish to select.  Presumably those people keep it all in one box, just in case - but where do they keep the box, eh?

I think it would be more interesting to ask us to select just one thing, and write a little story about why they would choose it.  So here's mine.

My parents had quite a lot of brass knick-knacks around the house.  I know this because it became one of my domestic tasks to polish them every week, with nice-smelling Brasso, for a shilling.  When I was about six (probably before the polishing regime started), they decided that my sister and I should be given custody, which was presented to us as ownership, of one each of these.  On offer was a fierce Bengal tiger, or this frog.  My sister, being the elder, was given first dibs.  Naturally, she picked the tiger.

I was downcast.  No, I was devastated.  I had coveted, craved for that tiger.  I think I assaulted her, I'm certain I cried with envy and disappointment.  Of course, when you're six, a week of despondency is a lifetime; I certanly don't hold the grudge any more.  In fact, now, when I look at and fondle this fellow, with his plump body and his blind eye, I reckon I got the best deal.

Thought it was time for another joke

A man walks into a bar and places a frog and a rat in the counter.

"What's this?" says the barman.

"Just watch," says the man, and places the frog on the bar piano stool.  The frog immediately begins to play the accompaniment to a Puccini aria, not very well.  The barman is impressed.

"That's nothing," says the man, and gives the rat a nudge.  The rat starts singing the aria in a beautiful tenor voice.

"Wow, what an act!  You could make your fortune with that," says the barman.

Just then an impresario enters the bar.  The barman draws his attention to the remarkable performers, and after some persuasion the man gives another demonstration.  The impresario is highly impressed, and offers the man fifty thousand pounds for the act.  The man ponders this.

"Well," he replies at last.  "I'll take twenty-five thousand for the rat.  But I couldn't possibly part with the frog."

After some haggling, the impresario settles for this and leaves with his new acquisition.  The barman is perplexed.

"But - why did you sell that beautiful singing rat but insist on holding on to the frog?  He's not even a very good pianist."

"No," says the man.  "But he's a brilliant ventriloquist."