In preparation for not watching the latest cinematic attempt
to turn perfection into something less, I reread the novel. If you haven’t read it, either look away now
or carry on reading – like Nick by the end, I don’t really care either way.
So, applying the rule of five:
1.
What’s great about him? He and Daisy are in a child-child
relationship, mediated by a controlling parent/child (Tom) and several powerless
adults (Nick, Jordan, even Myrtle). He’s
an infantile manipulative wimp, who collapses under the least pressure. He cheats even when he doesn’t need to. He doesn’t even bother to make an appearance
until page 54 (out of 188). So what’s to
love?
2.
Answer: precisely those flaws. Scott proves – and remember, this was 1923 –
the fragility of America. Bubbles are
designed to burst. The genius is to condense that fragility into
a single person, conceal him behind his own defences, and then prick him in
such a way that you end up not even sure if there’d been a bubble in the first
place.
3.
The strand of the novel. It opens with ‘In my younger and more
vulnerable years, my father gave me some advice …’ and ends with ‘borne back
ceaselessly into the past.’ Although the
peroration is impersonal, I like to think that Nick himself is being borne
back; indeed, that the story is his as much as Jay’s or Daisy’s.
4.
Indeed, the more I reflect the more I think this
is a fictional autobiographical narrative.
But then I have to admire Nick Carraway’s skilful ducking and weaving in
and out. Now you see him, now you
don’t. We don’t know what happens to him
afterwards (did he marry that Midwest girl, who never gets a name?) The others all end up either dead or gone;
Nick himself fades away, in the last chapters, like a green light in the fog.
5.
The words.
Oh, the beauty of the sentences!
We all know the famous quotes, so just a couple of examples of
perfection:
(page 101): ‘The rain was still falling, but the darkness had parted
in the west, and there was a pink and golden billow of foamy clouds above the
sea. “Look at that”, she whispered. And
then after a moment: “I’d like to just get one of those pink clouds and put you
in it and push you around.”’And (page 159): ‘He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.’
Oh, and all right, maybe the most poignantly banal phrase in literature, where Nick makes his peace with Tom, despite himself: ‘I shook hands with him; it seemed silly not to, for I felt suddenly as though I were talking to a child.’